Plan du site
- Percival Everett
- “At any rake,” angles of “linguistic condensation” and shock in Percival Everett’s <em>The Water Cure</em>: “All this while we play and pain with a language that is private.”
- “Private Turbulent Seas”: “painting The Moon” <em>In Cutting Lisa</em>, By Percival Everett
- “Wanted: straight words” in Percival Everett’s novel <em>Wounded</em>
- Vision and Revision in Percival Everett’s <em>Erasure</em>
- Naming, Not Naming and Nonsense in <em>I am Not Sidney Poitier</em>
- Of weeds and words: Percival Everett’s poetry
- Everett’s <em>Eidolon</em>: The Story of an Eye
- The Well-Tempered Anachronism, Or The C(o)urse of Empire in Percival Everett’s <em>For Her Dark Skin</em>
- Invisible Fathers: Investigating Percival Everett's "Lower Frequencies"
- <em>Jouissance</em> in <em>Damnedifido</em> stories by Percival Everett
- <em>Assumption</em>: from reminiscences to surprise, from dream to nightmare
- Talking About Race, Exposing The Desire for the Post-Racial, and Percival Everett’s <em>Assumption</em>
- Clichés and cultural icons in Percival Everett's fiction
- Encountering the Face of the Other
- Percival Everett : introduction
